Maybe I say that "not much more
can be said" because Thrones is a difficult project to describe.
One charismatic, light-hearted grizzly bear, bookended by enormous
cabinets, snuggled by machines, and comfortably harnessed to his bass
orchestrates a series of distorted, feedback-riddled, ominous,
surreal, gutteral, grinding (adj., adj., adj.) songs that offer
enough ingenuity and complexity to satisfy any noise, sludge, metal,
punk, arty music fan out there. Thrones trudges through its own
landscapes, carving out tectonic plates of brutal awesomeness.
Thrones recordings are consuming in
their own right. There's a groovy jazz aesthetic that courses through
all the slow heaviness. Live, however, is how you need to experience
this. It's imperative. From the first crack of sound, it's a visceral
journey like no other. Preston effortlessly erects an eerie (some say
"witchy") ambiance that envelops the audience.
There's a subtle give and take, but the music wins in the end. Lured
by the basslines, Preston pied-pipers the audience through an
intricate set that pushes the bounds of experimentation without
sacrificing the crusty edge that provides for most of the nightmarish
joy of feeling Thrones live.
Thrones just came off of an east coast
tour with Floor, (with some envy-worthy dates that included VAZ, and
Torche), played a recent show with the Need and Fed Ex, and is
playing a host of shows this spring and summer. There's probably a lot more out there. Who knows?
I jumped out of my chair, hugged my
girlfriend, and high-fived our cats and dogs when I read the email
exchange between Josh Vanek and Joe that landed Thrones for Total
Fest this year. It was, perhaps, one of the most beautiful series of
communications that I watched unfold. I'll say "don't miss this
set" more than a few times between now and then, and if I see
you there, I promise to hug you only once.
The day is bright and beautiful and full of hope:
The day is bright and beautiful and full of hope:
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